Wednesday, November 23, 2011
The Vancouver Opera is a former client of Boxcar Marketing so we like to champion them and follow their marketing initiatives.
Worth calling out is their 15-second TV spot and transit campaign for season opener West Side Story, which also got a lot of play online.
Not only was the online and office campaign really cool but the 15-second tv spot behind the campaign was created by our colleagues at Giant Ant Media, who make awesome commercial videos for local and international ad agencies and organizations.
Watch the Vancouver Opera TV ad for West Side Story.
Vancouver Opera // West Side Story from Giant Ant on Vimeo.
I managed to catch a free moment with Giant Ant Media co-founder Jay Grandin and asked him a few questions about the creative process for the West Side Story 15-second TV spot. Here’s a summary of our chat.
BX: Vancouver Opera opened the 2011-2012 season with West Side Story, which is a spectacular 21th century production. Given the popularity of the production and its iconic nature, how did you approach the project brief?
JG: One thing that we really tried to do with the Vancouver Opera’s West Side Story spot was to find a way to allow Vancouver and VO to own it. We wanted the tv spot to be about the Vancouver production of West Side Story, not just about West Side Story coming to Vancouver.
We pitched a concept where we would tell the whole story in 15 seconds, which included iconic imagery unique to Vancouver.
Science World was used as a backdrop in the kiss scene. But, the icing on the cake (which was the first frame we presented to the VO team) was West Side Story spelled out in the sky using the iconic Woodward’s W.
This was our closing shot in the TV spot which resonated with all of us so it was also used in the print campaign.
Transit busses wrapped in VO branding go by all day long outside of our Chinatown office window ... which is awesome.
BX: West Side Story is a classic musical theatre production, which has been presented by opera companies before, but how did Vancouver Opera want to address that in the ad campaign?
JG: Vancouver Opera briefed us by stressing that this was NOT an opera. The story they wanted to tell was that the FULL SCALE musical was coming to Vancouver.
BX: So, where did you start?
JG: The creative process for us involved a lot of time at the black board with the team.
We wanted to
- Pay homage to the time period
- Pay homage to Vancouver
- Tell the entire story, and
- Give the audience a taste of the audio in a way that says “musical”, not “opera” .... all within 15 seconds.
To solve 1), we settled on a Saul Bass inspired style reminiscent of his famous title sequences + poster art from the mid-century (including the original West Side Story).
For 2), we used Vancouver as the backdrop, which we just discussed.
3) was difficult in 15 seconds but, in a sense, we were telling Romeo and Juliet. So, we picked the scenes that we felt covered the basics of the story without spoiling the ending.
4) The finger snapping of the opening sequence became our rhythm for the piece, increasing in tempo to a climax.
We used music from West Side Story layered with sounds that would put the viewer into the context: the squeaking of sneakers on pavement, the sound of the sirens far below when you’re up on the fire escape…
BX: What about the dancing? Vancouver Opera replicated Jerome Robbin’s original choreography, which was awesome!
JG: The dancing in West Side Story is very tightly choreographed. The men make big sweeping movements, but ones that also have a hard edge to them.
Because there wasn’t enough time to really explore the choreography with our characters in the TV spot (aside from the one big kick), we treated the camera as though it was dancing to the beat of the snaps.
Each finger snap marked a new movement where the camera glided from one scene to another, or to another vantage point within the scene. It was important to us that the audio and visuals were in sync with one another in a way that was wild and expressive, but also had the containment of a dance.
BX: And who on the Giant Ant Media team worked on the campaign?
JG: The creative development of the spot was a great example of our collaborative process. We spent hours at the chalk board with the entire team—me [Jay Grandin], co-founder Leah Nelson, and our team of designers, editors, animators, and music composer. This includes Scott Tolan, Derek Pante, Ryland Haggis, Shawn Hight, Teresa Toews.
We chipped away at the ideas until we felt like we had a strong direction. In the actual production, I worked quite closely with Shawn, who did the majority of the design and animation, and Ryland, who created the sound scape using a snippet of licensed West Side Story audio, filling in with sound effects.
Thank you Jay Grandin of Giant Ant Media for taking time to chat about the creative process with us.
Vancouver Opera’s next production starts this Saturday, November 26, and runs for only 4 shows!
Roméo et Juliette
Nov 26 and 29, Dec 1 and 3
GET TICKETS
Giant Ant Media is currently working on the tv spot for VO’s The Barber of Seville, opening March 17, 2012. Watch for it.
For more on Giant Ant Media, check out their demo reel.
Posted by Monique Sherrett |
Email to a Friend | Of course, you should follow me on twitter
here
Filed under:
•
Monique's Pick
•
Internet Marketing Strategy
Permalink
Wednesday, May 18, 2011
It’s May. Is your business blooming?

Photo by Markusram CC BY-ND 2.0
Back in December, the Underwire Newsletter posed 3 questions related to business planning for 2011. Now it is time to see how things are going.
Did you work out how to answer yes to the 3 big questions?
- Would you say your company is becoming more effective at meeting customer needs?
- Have you recently implemented a large-scale innovative campaign or several small-scale innovative pilot projects?
- Are you collaborating more with others outside your firm?
The most successful businesses we work with at Boxcar Marketing are those who do a comprehensive business review annually, as well as quarterly reviews that focus on a specific aspect of the strategy, such as a Customer Review, an Innovation Review, or a Partnership Review.
A useful planning cycle may look like this:

Setting aside time throughout the year to revisit the plan is an important factor in keeping your business on track.
At Boxcar Marketing, we are fans of the Plan-Do-Study-Act Model.

Before we try to solve a problem, we define it. Before we try to change a process, we understand it. Before we make any changes, we determine the most important issue or the issue having the biggest impact on the business. And then we get started. The process looks like this:
Plan
Involve team members affected by potential changes. Determine what data will be collected (how and when). Agree upon who will study the data and suggest recommendations. Plan a test.
Do
Try out the theory.
Study
Analyze the results.
Act
Based on the results, maintain the plan, modify the plan or add to the plan. i.e., go back to Step 1: Plan
When our small changes are successful, we solidify those changes by implementing them at a wider level, establishing systems to support the changes, or identifying ways in which further improvements can be made. In this case, process makes perfect!
Posted by Crissy Campbell |
Email to a Friend | Of course, you should follow me on twitter
here
Filed under:
•
Internet Marketing Strategy
Permalink
Friday, January 21, 2011

An online marketing strategy should be at the core of your online marketing and social media marketing activities. Guerrilla Consulting’s 7 Sentence Marketing Plan is an easy and effective method that focuses your strategy.
A 7-Sentence Marketing Plan answers the following questions:
- Sentence 1: What is the purpose of your marketing?
- Sentence 2: How will you accomplish your purpose?
- Sentence 3: Who is your target market?
- Sentence 4: What is your niche in the marketplace?
- Sentence 5: What tools and tactics will you use to carry out your marketing?
- Sentence 6: What is your business identity?
- Sentence 7: How will you measure success and allocate time and budget?
Here’s the 7-Sentence Marketing Plan in further detail. You can use this template to create your own marketing strategy.
1. The purpose of our marketing is:
a. What are your goals? (Check those that apply OR add your own goals)
- Reach a new audience
- Promote an event
- Build excitement prior to event
- Get people to take a particular action (contest entries, voting, download file, buy, sign-up)
- Draw traffic to a particular URL
- Build your email list
- Build a community around an event/topic
- Get press coverage
- Get sales
b. Identify the top 3 goals. Tailor them to be specific to your client/project. Be as specific as possible (i.e, Drive people to FB page who will enter the contest and Like the page.)
2. How will you accomplish your goals?
- What are you going to do? (i.e, set up a Facebook page to host the contest, execute an outreach campaign by contacting bloggers and influencers…)
3. Client’s target audience (or audiences) is:
- Who are the people you want to reach?
- Create personas for them: what kind of people are they, characteristics, what social media channels do they use, how do they engage online? (see Forrester’s engagement ladder for how people participate online).
4. Client’s niche in the marketplace is:
Use S.P.H.E.R.E. acronym: (for more on S.P.H.E.R.E. read What Takes It Run a Successful Contest)
- So What: Why does your client’s product/service matter? What makes your client different from its competitors? (list competitors - name, URL) Why do consumers choose your client over someone else?
- Personality: What are the adjectives that describe your client’s brand?
- Hook: What’s your client’s story angle? Use phrases that are easy to remember to helps to spread your client’s story via word of mouth.
- Ego: Who does your client need to engage with? Who can benefit from promoting the brand amongst their friends? Why do people want to engage with the brand?
- Relevancy: What is the relevancy between the audiences’ motivations and what your client is trying to do?
- Effort: What does your client need to do in order to keep the audience engaged throughout the campaign as well as after the campaign is finished?
5. Marketing tools we plan to employ are:
- List all the possible marketing tools or tactics that could be used to meet your desired goals. Use a variety.
- Pick the ones that align with #1 - your business goals, marketing purpose.
6. The client’s business identity is:
- Describe in as few sentences or words as possible the feelings, voice and tone the company/brand evokes, and the brand attributes you want it to convey. (i.e. warmth, friendliness, reassurance, comfort, excitement, caring, honesty, humor, professionalism, intelligence, sophistication, reliability, and trustworthiness).
7. We plan to measure success and allocate time and budget by:
- Align this sentence with #1 and #5 - looking at your goals how will you measure the effectiveness of your tactics? List the key performance indicators (KPIs)
- How much time and money will your client devote specifically to social media?
Posted by Crissy Campbell |
Email to a Friend | Of course, you should follow me on twitter
here
Filed under:
•
Internet Marketing Strategy
Permalink
Tuesday, September 07, 2010
Personas are a common marketing and design tactic that help to focus your marketing campaign or project. They’re character sketches of individual audience members that define who the website, product or service is for in order to bring the user into the project development process. Personas help marketers visualize their audience and better understand their needs in relation to the campaign.
Christina Wodtke, a usability expert, explanations persona development in her book
Information Architecture: Designing for the Web. She refers to persona development as “playing Barbies.”
Just like when you were five years old and played Barbies by creating imaginary lives for Barbie and Ken, creating personas is about creating make-believe lives for your audience members.
Ultimately, personas help to move you away from what the project team wants and towards what the persona wants. Instead of saying “I like the colour yellow, so we should use it on our homepage design” you can say “Bob will have trouble reading yellow text and we should choose a colour that makes it easiest for Bob to complete the task.”
The persona process that we’ve developed is built from Wodtke’s book,
Information Architecture: Designing for the Web, “Chapter 6: From A to C by Way of B.”
Preferably, a project will have both primary personas - common user types that are important to the business success of the project - and secondary personas - user types that are very different from primary users but whose needs still need to be addressed for the success of the project. This helps to ensure that all user needs are outlined.
We recommend creating 3 primary personas - common user types that are important to the business success of the project - and 2 to 3 secondary personas - user types that are very different from primary users but whose needs still need to be addressed for the success of the project - for every project.
Ideally, you should start with audience research. Take a survey, talk to your fans on Facebook, find any way you can to get to know your target users.
Once you have your primary data, begin creating your personas by starting with the user’s name, demographics and psychographics. This should include age, gender, location, family life, likes and dislikes, and his or her location in the adoption curve (innovator, early adopter, early majority, or late majority).
Build on this to develop the user’s professional and personal background (including job title, job history, role in the company, leisure activities, and hobbies); a quote that encapsulates the persona’s attitude towards your product or service; internet or technical profile (that is, how often they use the web and how comfortable they are online); and their favourite websites (this gives you an idea of what types of design they’re comfortable with and how they are interacting online).
Build your persona out further by outlining his or her goals with I need / I want statements. Goals are the crux of your personas because they determine what needs your project or campaign must meet.
When developing persons, don’t skimp. Building personas takes time. When we develop personas we generally allot 2 to 4 hours development time for each persona and we do this knowing that investing time at this stage will save us time in the end. The more real your personas are, the easier it is to develop a successful project or campaign.
Once your personas have been developed look at your project or campaign from the perspective of your personas. How would Bob interact with your product? What paths would he take through your site? What is easy to do? What’s difficult? Can Bob achieve his goals?
Sample Persona
Ruth > Publisher
Basics:
50-something, female, publisher of a mid-size press. She is a publisher with a huge amount of industry experience. She handles all of the long-term planning for her company, controls the purse strings and has various departments reporting to her.
Ruth says she understands the online world but needs to be convinced of new ideas. She says she wants to see the numbers when asked to part with her money, but it’s realy about needing to see credible sources and something she can relate to before she can learn something new.
Professional and personal background:
Ruth has a wide range of interests both professionally and personally. She is interested in books, magazines, art, design, interior decorating, traveling and staying fit. She likes to lead the pack and make recommendations to friends and family. While she used to be an early adopter, she is now part of the early majority.
Quote:
I want to spend my money on proven methods that I understand and I can’t afford to jump at every new opportunity. I’ve been working in the industry for over thirty years and while I understand that things are changing, to me, a book is still a book.
Technical Background:
She thinks she understands the web but only uses it at a basic level. She has email, visits news and book websites, and is aware of social media tools like Twitter and Facebook but has never used them.
Ruth uses/enjoys the websites:
- http://www.touchwoodeditions.com/
- http://booknetcanada.com
- http://www.nytimes.com
Goals:
- How do I choose well?
- Who should I read given limited time?
- Be my filter so I save time
I need / I want:
- I want to see case studies from companies I know
- I want to see value in where I spend my money
- I want to see reporting/numbers on where I spend my money
- I need credible sources that I can relate to
- I need to know how online fits in to the bigger publishing picture
- I want validation and an increased profile for my company
- I want to network at “C” level
- I need to quickly see if it is relevant or how it applies to my situation
Posted by Crissy Campbell |
Email to a Friend | Of course, you should follow me on twitter
here
Filed under:
•
Internet Marketing Strategy
Permalink
Thursday, May 20, 2010

I was at Northern Voice two weekends ago and I went to a great session with the CBC’s Lisa Johnson and the Vancouver Sun’s Kirk LaPointe, on how journalists use social media. At the session, LaPointe argued that there is no news problem or audience problem in the newspaper industry; the problem is, in fact, a business one.
This got me thinking about how newspapers are adapting their businesses to the online space in order to succeed in a digital world. What best practices can we find?
After gathering notes from the Northern Voice session as well as comments from The Globe and Mail and The Texas Tribune here’s a list of best practices for the industry:
Online Marketing Best Practices for Newspapers
Your online presence should be different from your print presence. They are different mediums with different strengths - adapt to each one separately. According to Kirk LaPointe, the Vancouver Sun spent the last 5 years getting their newspaper as close as possible to their website and now they are going spend the next 5 years moving the newspaper away from the website. They’ve realized that differentiation is key.
Twitter is a great tool to use as a social scanner. Both the CBC and The Globe and Mail use Twitter to stay on top of what is going on so that they can respond quickly if something arises.
Twitter should also be used to connect directly with your readers. Use Twitter to have conversations with your readers. They can be a resources for stories, too.
Email alerts are important. The Texas Tribune uses email alerts to stay on top of things. Set up alerts with story keywords and you’ll get story ideas and sources delivered to your inbox.
The topic, not the headline, is the centerpiece. Online, people search by subject so your subject matter is more important than a catchy headline.
Engagement is not a frill. You need a strategy of engagement with your audience. For example, the New York Times doesn’t have just one twitter handle. Instead, they have subchannels that personalize the feeds - like @nytimesbooks and @nytimesart.
Create communities. By engaging their audience in personalized ways, the New York Times has created communities of readers. The Globe and Mail has experimented with Cover It Live to build community. Cover It Live is a live-blogging/discussion tool that provides a platform for hosting live blogs and is easily embedded in a story page. The Globe and Mail has used it for their coverage of the budget, the CRTC hearings, a subway shooting and the Obama inauguration.
Customize delivery. While The Texas Tribune points out the importance of using social media sites as secondary distribution channels, the messages should be customized for the medium. The same content that works on your website does not work on Facebook. The same content that works on Facebook does not work on Twitter.
So how do you measure the success of your efforts? While most newspapers haven’t quite figured out how to make money online (LaPointe says that the Vancouver Sun dedicates 50% of their time to the web yet makes less than 5% of their revenue online) there are other factors to consider. The Texas Tribune recently looked back on what they’ve learned over the last 6 months and listed the important numbers for them. Namely, they are able to measure brand awareness, (number of unique visitors to their site and where they are coming from), loyalty (number of return visitors), and engagement (average length of time spent on the site).
What do you measure as indicators of online success with your newspaper?
Posted by Crissy Campbell |
Email to a Friend | Of course, you should follow me on twitter
here
Filed under:
•
Internet Marketing Strategy
Permalink
Tuesday, April 21, 2009
In tough times, it is even tougher to secure your marketing budget because most companies see marketing as an expense rather than an investment.
It is easy for managers to slash marketing budgets when they do not understand how marketing affects the health of their organizations. Your job is to build an understanding of what value marketing brings to the organization and how marketing affects the health of the organization.
How do you do this? You need to understand what type of manager you have.
Types of Managers
1. The German Shepherd.
Intent on business, these managers are direct. They defend their territory and state opinion as fact. They are responsible for the pack but can be impatient, demanding and blunt.
Approach: Be brief, be brilliant, be gone. This type of manager likes to win. You have to present alternatives so that he or she can make the choice. That said, you can guide them by presenting the alternatives clearly and the potential value or gain for each. Visuals and graphs work well for presenting the numbers. Show vs. tell, then get out of the way.
2. The Jack Russell Terrier.
Ready for adventure, these managers are friendly, excitable and animated. Entertainment is the key. They do not focus on details. They are more interested in the friendly chatter than getting down to business.
Approach: Schedule time for chatting and let this manager speak. High energy and being upbeat, even when presenting challenges, is key. This type of manager also likes to be the center of attention so show how your marketing ideas will help achieve popularity and recognition.
3. The Basset Hound.
Mild mannered, these managers like safety and status quo. They appear calm and do not get easily excited. New ideas make these managers uncomfortable. They like to blend into the group rather than stand out.
Approach: Ask specific questions to establish this manager’s true needs, then provide support. For those who prefer to endure, stubbornly sticking to the path of least resistance is the natural choice. You must figure out how to change the path and gently coax along other followers. Make sure you listen carefully and ask specific questions.
4. Border Collie.
Sharp as tacks, these managers focus on the details. They ask questions, study the implications and analyze information to the point of perfection. They can be standoffish.
Approach: Provide the facts and plenty of background detail. Avoid personal issues and feeling intimidated. Be calm and measured in your response to questions. These types of managers need all the information before being able to make a decision.
Posted by Monique Sherrett |
Email to a Friend | Of course, you should follow me on twitter
here
Filed under:
•
Internet Marketing Strategy
•
Underwire Newsletter
Permalink
Sunday, January 04, 2009
Stop Perfuming the Pig: Why “real” marketing is done before the product is created
“No amount of perfume can overcome the stench of a technology product that people don’t need,” by Steve Johnson.
Peter Drucker makes it clear that marketing isn’t a product promotion strategy; it’s a product definition strategy, that “marketing” is creating a product that sells itself, creating a product that people want to buy; creating an environment that encourages people to buy.
Over the years however, industries and agencies and marketing experts have worn away the original meaning of marketing and cheapened it. Marketing now means many things to many people but apparently not what Drucker meant. For most people nowadays, marketing means t-shirts, coffee mugs, trinkets, trade show trash, and tchotchkes.
Do you promote or do you market?
Johnson’s great article illuminates the problem with marketing is that we don’t focus on the problem. Instead we focus on promotion. And promotion is not marketing.
The first and most important consideration for any business is the market problem. It’s the problem that drives the product decisions, the message for positioning, and the key elements of selling—the placement strategy. Having identified the problem, the other Ps of the marketing mix become obvious.
Posted by Monique Sherrett |
Email to a Friend | Of course, you should follow me on twitter
here
Filed under:
•
Internet Marketing Strategy
Permalink